It’s been a fast-paced, jam-packed weekend — trying to get to sessions at the Melbourne Writers Festival on time and post blog reports — juggling train cancellations, sleep deprivation and children’s sporting logistics in with the mix. Here’s a quick summary of how it panned out:
10.30: Saturday morning – meet with fellow ‘Emerging Bloggers’ for brunch at Beer Deluxe in Federation Square. Running late, I realise I’ve left my festival guide at home. Oops…
Federation Square
11.30: Head to see former Premier Steve Bracks discuss his new book at BMW Edge. Unaware of a location change, I walk in to find I’m at another session of The New Yorker team. A fortunate turn of events as they are much more animated than the night before.
1.00: Attempt to see event ‘Why I Read’ and am directed to ACMI Studio 1. Sitting there, I realise as the presenters sit down that I am again in the wrong venue. The doors close and a staffer sweeps a large black velvet curtain across the door, blocking an easy exit. The presenters begin to speak as I try to inconspicuously escape behind the black curtain, causing it to billow wildly. To my horror, the glass door is locked. The attendant on the other side mouths that she can’t open the door and I will have to use the exit on the OTHER side of the room. Moritifed, I have to come out from behind the curtain and walk back into the room and up the stairs, around the back of the audience, down the stairs and out the door, while historian Geoffrey Blainey and Gideon Haigh pretend to ignore my clumsy and disruptive performance. Arghhh…
1.15 – Finally arrive at ‘Why I Read’ which is back at BMW Edge, where Sloane Crosley, Drusilla Modjeska and Sir Andrew Motion are discussing the power of literacy to transform lives. I enter the room silently, managing to find a seat without drawing attention. Phew. Sir Andrew is discussing his childhood experience of reading The Lion, The Witch and The Wardrobe and how the image of a land frozen in ice and snow was crucial in his development as a future poet, being one of the first moments where he became aware of the power of metaphorical images. Sloane then talks about how her mother read to her from Gone With The Wind every night – a special ritual they shared and looked forward to. And Drusilla remembered vividly her teenage experience of reading Tess of the d’Urbervilles. It was the first time she became aware that redemption for the main character in a book is not always possible. It was shattering and in a sense, made her aware of how books can have a transformative experience.
2.30 – Attend a session called ‘Friendly Fire’ and WOO HOO – I arrive at the RIGHT venue and on time. Am very proud of myself. The presenters include Marieke Hardy, Benjamin Law and again, Sloane Crosley with the highly competent Estelle Tang chairing the event. It’s a funny, feisty session with all panelists performing readings from their books which brings to life their individual writing styles and personalities.
Sloane Crosley, Marieke hardy, Benjamin Law and Estelle Tang
Hi Jennifer! Great to meet you, and I’m really glad you enjoyed the panel on Saturday. I’m loving the Emerging Bloggers’ MWF accounts; I know I won’t be able to see everything, but it’s a great way for me to catch up on what I’ve missed.
I couldn’t help but laugh in recognition about your tale of embarrassment. The worst thing I ever did at MWF was to pull my laptop cord out of the powerpoint — along with all the tech gear. The presenters’ microphones all went dead (I think some of the lights did too). Oops!
Hi Estelle,
Thanks for the feedback – glad you’re enjoying the Emerging Bloggers reports! Lovely to meet you Saturday night and thanks for sharing your ’embarrassing moment’ at MWF – I feel much better now… Enjoy the rest of the festival! Jen. 🙂